1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. By Jerry Bergonzi Book & CD Item: ADV Sheet Music – £ – Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for.
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The hexatonic to play is written above the bar with the chord symbol below. B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.
Please note though, that any of the hexatonics can be applied to any of the tunes and progressions in the book.
The latter approach can upset the rhythmic symmetry of a pattern, which is almost never a bad thing. By using two triads, bi-tonal effects are created.
Jerry Bergonzi Vol 7 – Hexatonics.pdf
Jerry’s book is more practical than Gary’s book. Eb Real Book 5th edition Vol. Gary book has more interesting permutations of pairs and Jerry’s book has more interesting applications. As already stated, a hexatonic scale can be derived by hexatnoics the notes of two triads that do not share any common tones. In this instance, it is the C that is the unusual note that creates the rub.
Is Berklee College of music out of your price range? I I F-7 Bb? Additionally, the examples in this entry are specifically bergonzo with two separate, clearly-defined three-note elements in mind.
Jerry Bergonzi Vol 7 –
Chord G 7 sus G t. Jerry Bergoonzi vol 3 – Jazz Line Education. Have each hexatonic 1 bar,2 bars or 4 bars each. The triads offer a skeleton structure to base lines on. Try anticipating the dominant chord by playing the hexatonic on the preceding minor 7 chord.
Bergonzi, Jerry – Hexatonics – melody instruments
It could also be used on minor chords. G-7 7 Hexatonics in parenthesis create a higher degree of tension. Rendering these scales in the form of triad pairs yields more variety in tone color and suggests novel melodic possibilities. You simply will not believe the number of transcriptions contained in these Japanese compilations.
When the bsrgonzi triad is voiced on top it creates minor ninth intervals which are dissonant.
Each of the triads expresses a tonality. Rather than practice all of them, select a few, and play them in all keys in order to gain flexibility with these hexatonics.
Natural 11 on a dominant chord is an avoid note but it sounds fine when used in passing. I may change my mind about this later. Of course, context is everything! I fully describe Mr. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.
On a minor 7th chord, the upper Wad sounds the 9, n 1 and This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures “.
Jerry Bergonzi- Pentatonics-Vol 2 Documents. G-7 7 F-7 BP” Of course, improvising and using only one particular hexatonic sounds very onedimensional. Donate to Casa Valdez!! As is the case with most things I practice, I find that practicing inversions is a good way to become as thorough as possible with an idea:.
Newer Post Older Post Home. Shit, I sound like I’m trying for a job as his publicist, but is this your basic point, reworded with my usual verbosity?
Hexatonics – melody instruments
There is a full page of lines for each triad pair and a page for every key. D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. The motion defines the context.